Designed and built by the Austrian architect and master mason Jakob Prandtauer, it combines Italian Baroque elements with traditional Austrian design. Set on high cliffs overlooking the Danube River, its abbey church combines a high dome and twin towers. The abbey's exterior is a mass of undulating surfaces and soaring turrets and towers, while its interiors and hallways were decorated by many of Austria's leading artists. It houses several famous features, including the Marble Hall, the Imperial Staircase and a library containing an extensive collection of rare medieval texts.

As the power of Rome declined, that of Constantinople grew. In 535, the armies of Justinian I (482-565), Byzantine Emperor from 527 to 565, invaded Italy (mostly occupied by barbarians) and in 540 conquered Ravenna, which became the seat of Byzantine government in Italy. From 540 to 600, the Exarch of Ravenna instigated a major building program of churches in the city and its port township of Classe: they included the Basilica of San Vitale and the Basilica of Sant'Apollinare in Classe. The Basilica of San Vitale combines a Roman dome, doorways and stepped towers, with a Byzantine polygonal apse, as well as Byzantine capitals, and narrow bricks. It is world famous for its Byzantine mosaics, the most spectacular and best preserved mosaic art outside Constantinople. For details, see: Ravenna Mosaics (c.400-600). Christian Canvas Art
In addition, there are numerous expressionist works by the French Catholic painter Georges Rouault, notably his series of The Holy Face, the Crucifixion and Christ Mocked, which make him one of the most important Christian artists of the 20th century. A similar accolade could be bestowed on the Russian fantasy painter Marc Chagall, whose imaginative Jewish art and scenes from the Old Testament were followed later by his series on religious themes - The Bible Message - now on display at the Cimiez Museum, in Nice. Chagall also produced a number of stained-glass designs for the cathedrals of Metz (1968), and Reims (1974), as well as the Hadassah Synagogue near Jerusalem. In addition, he was noted for the tapestry art that he designed for the Knesset.

Millions of people turn to scripture every day for inspiration and guidance. Its timeless lessons help show us the way in a world that may seem complicated and confusing. The powerful words of scripture lend themselves easily to art, music, and other creative endeavors. You can use our collection of scripture art to highlight a favorite quotation or display the grace of a life guided by God's words. Christian Wall Art


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In the West, the Renaissance saw an increase in monumental secular works, but until the Protestant Reformation Christian art continued to be commissioned in great quantities by churches, clergy and by the aristocracy. The Reformation had a huge effect on Christian art, rapidly bringing the production of public Christian art to a virtual halt in Protestant countries, and causing the destruction of most of the art that already existed. Christian Wall Art
The spiritual intensity achieved by Spanish painters was also seen in the works of Spanish sculptors, such as Alonso Berruguete (c.1486-1561) the greatest of all Renaissance sculptors in Spain, whose masterpieces include: the altarpiece for the monastery of La Mejorada Valladolid (1526), and the choir stalls in Toledo Cathedral (1539-43); Juan de Juni (1507-1577), noted for his emotive expressiveness, as in his two groups of the Entombment of Christ (1544 and 1571). Juan Martinez Montanes (the "God of Wood"), famous for his wooden crucifixes and religious figures, like The Merciful Christ (1603) and the Santiponce Altarpiece (1613); and Alonso Cano (the "Spanish Michelangelo"), whose masterwork is The Immaculate Conception (1655).
An interesting feature of Christian drawing from the Baroque period were the architectural drawings, prints and paintings of church interiors. Three of the leading exponents of this genre were: the Haarlem artist Pieter Saenredam noted for his architectural accuracy and his pictures of whitewashed church interiors (Interior of the Buurkerk, Utrecht, 1645); Emanuel de Witte, who was less concerned with technical accuracy and more interested in the atmosphere of the church (Interior of the Portuguese Synagogue in Amsterdam, 1680); and the Italian view painter (vedutista) Giovanni Paolo Panini (Interior of St. Peter's Basilica, Rome, 1731). Christian Wall Art
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