Wall painting was substantially cheaper than mosaics and was therefore reserved for poorer churches. Later, however, as economic difficulties grew, it became a more widespread alternative. It was characterized by large-scale 'architectural' compositions - Byzantine muralists typically used an entire wall as their 'canvas' - typically filled with narrative detail without regard to principles of time and place. Famous extant Byzantine Christian murals include: those in the burial chamber (450-500) at Nicaea (Iznik); the Weeping Christ (1164, Church of St Panteleimon, Nerezi, Skopje, Macedonia); the Crucifixion (1209, Church of St Joachim and St Anna, Studenica, Serbia). Christian Canvas Art
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Unless otherwise indicated, all content is licensed under a Creative Commons Attribution License. All Scripture quotations, unless otherwise indicated, are taken from The Holy Bible, English Standard Version. Copyright ©2001 by Crossway Bibles, a publishing ministry of Good News Publishers. Contact me: openbibleinfo (at) gmail.com. Cite this page: Editor: Stephen Smith. Publication date: Jun 3, 2019. Publisher: OpenBible.info. Christian Wall Art
The rapid rise of Arab power during the 7th century and the consequential economic difficulties suffered by the Byzantine Empire, led to a reappraisal of Arab culture and Islamic art. During the 8th century (726-787) and the 9th century (814-842), this culminated in two "Iconoclasms", when a ban was imposed on all figurative artworks. This went down very badly with Byzantine mosaicists. Many emigrated to Rome who were firmly opposed to Iconoclasm. Others, paradoxically, went to Arab cities where they produced some of the finest ever abstract mosaics. See, for instance, those in the Islamic Dome of the Rock (688-91, Jerusalem) and the Great Mosque (715, Damascus). Share Your Faith Products
“You saw, O king, and behold, a great image. This image, mighty and of exceeding brightness, stood before you, and its appearance was frightening. The head of this image was of fine gold, its chest and arms of silver, its middle and thighs of bronze, its legs of iron, its feet partly of iron and partly of clay. As you looked, a stone was cut out by no human hand, and it struck the image on its feet of iron and clay, and broke them in pieces. Then the iron, the clay, the bronze, the silver, and the gold, all together were broken in pieces, and became like the chaff of the summer threshing floors; and the wind carried them away, so that not a trace of them could be found. But the stone that struck the image became a great mountain and filled the whole earth. Share Your Faith Products
Since the advent of printing, the sale of reproductions of pious works has been a major element of popular Christian culture. In the 19th century, this included genre painters such as Mihály Munkácsy. The invention of color lithography led to broad circulation of holy cards. In the modern era, companies specializing in modern commercial Christian artists such as Thomas Blackshear and Thomas Kinkade, although widely regarded in the fine art world as kitsch,[4] have been very successful. Christian Gifts
The rapid rise of Arab power during the 7th century and the consequential economic difficulties suffered by the Byzantine Empire, led to a reappraisal of Arab culture and Islamic art. During the 8th century (726-787) and the 9th century (814-842), this culminated in two "Iconoclasms", when a ban was imposed on all figurative artworks. This went down very badly with Byzantine mosaicists. Many emigrated to Rome who were firmly opposed to Iconoclasm. Others, paradoxically, went to Arab cities where they produced some of the finest ever abstract mosaics. See, for instance, those in the Islamic Dome of the Rock (688-91, Jerusalem) and the Great Mosque (715, Damascus). Share Your Faith Products
The Roman Catholic Church responded to the Protestant Reformation with the Counter-Reformation. Catholic Counter-Reformation Art was designed to communicate the distinctive tenets of the Catholic liturgy and faith so as to strengthen the popularity of Catholicism. It was launched at the same time as Mannerist painting was taking hold in Italy - a highly expressive style that used distortion for effect, as exemplified in Parmigianino's picture Madonna with the Long Neck (1535, Uffizi). Concerned that Catholic art was attaching too much importance to decorative qualities, and not enough to religious values - thus negating its educational effects on churchgoers - the Catholic authorities decreed that Biblical art should be be direct and compelling in its narrative presentation, which itself should be accurate rather than fanciful, and should above all encourage piety. Nudity, and other inappropriate imagery was banned. For an example of a pious Mannerist artsist who adapted his style in line with the Church's teaching, see: Federico Barocci (1526-1612). Christian Gifts

Millions of people turn to scripture every day for inspiration and guidance. Its timeless lessons help show us the way in a world that may seem complicated and confusing. The powerful words of scripture lend themselves easily to art, music, and other creative endeavors. You can use our collection of scripture art to highlight a favorite quotation or display the grace of a life guided by God's words. Christian Wall Art
19 designers and 31 writers invested their energy and creativity to this collection, each riffing on the timeless, inspired words of Scripture. Each designer worked hard to capture the essence of each verse in its historical and cultural context, and to design in a way that makes clear the way in which the original readers would have understood it. Then, after each design was complete, a writer reflected on each piece of art and the verse that inspired it. The result is 100 pairs of art and devotional that illuminate the words of Scripture.
Stained glass production was concentrated in centres like the Rhineland (Germany) and in the Ile de France and Poitiers. Framed for the first time in lead, designs were based on strong colour contrasts (blue, intense reds, yellow). (See also: Stained Glass Art: Materials, Methods.) Famous examples include glass windows like: The Prophet Hosea (1130, south wall of Augsburg Cathedral); and The Crucifixion of Christ (1165, Poitiers Cathedral). Murals were used - as in Byzantine churches - to educate the illiterate churchgoer. Styles were typically dynamic and animated, while Spanish artists created Romanesque murals with a mixture of Spanish and Islamic art. Sculpture appeared mostly on the exterior of churches, in a rather static or wooden style. The most famous Romanesque artist was probably the sculptor Gislebertus (1120-1135), known for his relief work on the portals of Christian Gifts
First built over the legendary burial site of St Peter, during the time of Emperor Constantine I, Saint Peter's Basilica is among the holiest of all Catholic sites. The current building was mostly designed by Donato Bramante, Michelangelo, Carlo Maderno and Bernini, and embodies the artistic transition from Renaissance to Baroque. Crowned by a 433-foot high dome, it is packed with priceless works of art, including Michelangelo's marble sculpture Pieta (1500), carved by the artist from a single block of Carrara marble at the age of 25. St. Peter's is strongly associated with the Early Christian church, the papacy, the Counter-Reformation and is considered to be the finest building of its age.
Until the adoption of Christianity by Constantine Christian art derived its style and much of its iconography from popular Roman art, but from this point grand Christian buildings built under imperial patronage brought a need for Christian versions of Roman elite and official art, of which mosaics in churches in Rome are the most prominent surviving examples. Christian art was caught up in, but did not originate, the shift in style from the classical tradition inherited from Ancient Greek art to a less realist and otherworldly hieratic style, the start of gothic art. Christian Canvas Art
Only one major innovative example of Christian church architecture was built in Europe during the 19th century - the Sagrada Familia, Barcelona (1883), designed in a highly decorative neo-Gothic style by Antoni Gaudi. Celebrating the Holy Family and the mysteries of the Catholic faith, this extraordinary church with its tree-like formation of vaulted structures includes five towers and twelve campaniles. Made of stone and concrete, the building is embellished in parts with ceramic tiles, pompom finials and numerous sculptures, but is still not completely finished. Gaudi himself was inspired by the Arts and Crafts movement and was associated with the Catalan Modernista school. Christian Wall Art
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