Heavily influenced by sculpture, Gothic painters were also busy creating works of religious art, but not inside churches, where enormous stained glass windows now provided the colour and Biblical illustration that previously had been provided by murals: see, for instance, the translucent stained glass art inside Chartres Cathedral (c.1194-1250). Instead Gothic painters focused on illuminated manuscripts, such as the French Bibles Moralisees (c.1230-40), Le Somme le Roi (1290), the Manesse Codex (1310), Heures de Jeanne d'Evreux (1328), Psaltar of Bonne of Luxembourg (1349), the English Amesbury Psalter (1240), Queen Mary Psalter (1330) and the Arundel and Luttrell Psalters (1340). These are just a few of the many Books of Hours, Missals, Psalters, Apocalypses, Bibles and other illuminated gospel texts that emanated from monastic scriptoria of the period. See, in particular, works by Jean Pucelle (1290-1334). For more, see: History of Illustrated Manuscripts (600-1200). Christian Canvas Art

As it was, Byzantine architecture achieved its distinctive forms during the life of Justinian, who built four major churches in Constantinople, including: the Basilica of Saints Sergius and Bacchus (begun 526); the Basilica of Saint Irene (begun 532); the Basilica of the Apostles (536-46) - whose design was replicated in St Mark's Cathedral in Venice - and the greatest of all, the Basilica of Hagia Sophia (1532-37) (converted to a mosque in 1453, now a museum). Crowned by a massive dome whose weight was carried to corner piers by revolutionary concave triangular sections of stone, called pendentives, and decorated throughout with gold mosaics and multicoloured marble, the Hagia Sophia was the culmination of Roman architecture and a huge inspiration for later buildings throughout the Middle East, including the Sultan Ahmed Mosque. Christian Canvas Art
The writer of these psalms provides us with hope to empower us to climb out of situations that cause our hearts and minds to become disquieted, discouraged or, as we sometimes say in the vernacular, “down.” These encouraging Bible verses tell us we can safely hope in God! They tell us that we will praise Him in the future for His help, as He personally helps us as if face to face. Christian Canvas Art
In the four hundred and eightieth year after the people of Israel came out of the land of Egypt, in the fourth year of Solomon's reign over Israel, in the month of Ziv, which is the second month, he began to build the house of the Lord. The house that King Solomon built for the Lord was sixty cubits long, twenty cubits wide, and thirty cubits high. The vestibule in front of the nave of the house was twenty cubits long, equal to the width of the house, and ten cubits deep in front of the house. And he made for the house windows with recessed frames. He also built a structure against the wall of the house, running around the walls of the house, both the nave and the inner sanctuary. And he made side chambers all around. ... Share Your Faith Products
In the four hundred and eightieth year after the people of Israel came out of the land of Egypt, in the fourth year of Solomon's reign over Israel, in the month of Ziv, which is the second month, he began to build the house of the Lord. The house that King Solomon built for the Lord was sixty cubits long, twenty cubits wide, and thirty cubits high. The vestibule in front of the nave of the house was twenty cubits long, equal to the width of the house, and ten cubits deep in front of the house. And he made for the house windows with recessed frames. He also built a structure against the wall of the house, running around the walls of the house, both the nave and the inner sanctuary. And he made side chambers all around. ...
Towards the end of the Gothic era, there emerged a rich style of art, among the royal courts of Europe, that acted as a kind of bridge between Gothic and Renaissance culture. Known as International Gothic (c.1375-1450), this style was exemplified by a range of Christian illuminations which reached their peak in works like Les Tres Riches Heures du Duc de Berry (1416) by the Limbourg Brothers (all died of plague, 1416); the Hours of the Marechal de Boucicaut, by Jacquemart de Hesdin (c.1355-1414), and The Missal of Jean des Martins by Enguerrand de Charenton (Quarton) (c.1410-1466). Christian Canvas Art

With the fall of Rome and the disintegration of the Roman Empire, Western Europe entered the Dark Ages (400-800), a period of political uncertainty and cultural stagnation. The only possible unifying force was Christianity, but with Rome sacked and the Roman Church under pressure, its influence was limited. Only in Ireland, a country cut off from the European mainland, did Christianity flourish. In fact, Irish Monastic art and culture was critical in keeping alive the ideas of classical antiquity, as well as the message of the Bible. Early Medieval art in Ireland was dominated by the making of illuminated manuscripts, notably the Cathach of St. Columba (c.610), the Book of Durrow (c.650-80), the Lichfield Gospels (c.730), the Echternach Gospels (690-715), the Lindisfarne Gospels (698) and the stunning Book of Kells (800). Because of the country's ongoing tradition of Celtic art, most Irish manuscript illustrators used abstract Celtic designs, rather than figurative imagery preferred by Continental artists.
Many of these genre paintings contained subtle moral messages about how to live a Christian life, as well as not so subtle messages about the dangers of vice. This low-key Protestant iconography was a complete contrast to the intense Biblical scenes, such as the Crucifixion and the Lamentation, favoured by Catholic art. Still lifes provided another example of this moralistic art. Known as Vanitas painting, this genre consisted of arrangements of food and other objects laid out on a table, complete with symbolic messages that frowned upon gluttony and sensual indulgence. There were two varieties of vanitas paintings: "banquet pieces" (pronkstilleven), or "breakfast pieces" (ontbijtjes). Exponents of pronkstilleven included: Harmen van Steenwyck (1612-56), Jan Davidsz de Heem (1606-84) and Willem Kalf (1622-93). While the leading practitioners of ontbijtjes included: Willem Claesz Heda (1594-1680) and Pieter Claesz (1597-1660).
Designed by Sir Christopher Wren, St Paul's is a Church of England cathedral which stands on the site of the original church, founded in 604. The seat of the Bishop of London, the cathedral was constructed as part of the major rebuilding program overseen by Wren, following the Great Fire of London. Its 365-foot high dome is one of the best-known sights of London. Christian Canvas Art

So-called Northern Renaissance art (c.1430-1580) was dominated by the school of Flemish Painting, part of the broader movement of the Netherlandish Renaissance. In simple terms, the Northern Renaissance started with a bang, rapidly establishing itself as the foremost school of oil painting, and thereafter gradually declined. The altarpiece art of painters like Jan van Eyck (see his Ghent Altarpiece, 1432) and Roger van der Weyden (Descent from the Cross, 1440), as well as the unbelievably intricate works of Hugo van der Goes (Portinari Altarpiece, 1475), were rarely equalled, except by the extraordinary visionary pictures of Hieronymus Bosch - see Garden of Earthly Delights and Haywain Triptych - (avidly collected by the austere Catholic monarch Philip II of Spain), and the complex genre paintings of Pieter Bruegel the Elder (Census of Bethlehem, 1566; Massacre of the Innocents, 1564; Parable of the Blind, 1568). Share Your Faith Products
Ironically, Christian Renaissance architecture was based on designs from pagan Greek architecture, and made liberal use of Doric, Ionic and Corinthian orders. Outstanding examples include: the dome of Florence Cathedral (1420-36) and Church of San Lorenzo (1420-69) designed by Brunelleschi; Church of Santa Maria delle Carceri (1485-1506) by Giuliano da Sangallo; Saint Peter's Basilica (1506-1626) by Bramante, Raphael, Michelangelo, Giacomo della Porta, Carlo Maderno and Bernini; Church of San Giorgio Maggiore (1562) by Palladio. Christian Wall Art
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From about 1520, as the Northern Renaissance felt the impact of Luther's revolt against the corrupt practices of the Roman Church, a new set of aesthetics took hold, in the form of Protestant Reformation Art, which reflected the Christian agenda of the Protestant movement, which rejected the humanist art and ideology of the High Renaissance, and celebrated a more austere religious experience, with minimal decoration. As a result, the amount of religious art commissioned by Protestant Church authorities was hugely reduced, and artists in Protestant countries were forced to switch to secular forms like genre painting, portrait art, landscape painting, and still lifes.

2 Chronicles 2:14 - The son of a woman of the daughters of Dan, and his father [was] a man of Tyre, skilful to work in gold, and in silver, in brass, in iron, in stone, and in timber, in purple, in blue, and in fine linen, and in crimson; also to grave any manner of graving, and to find out every device which shall be put to him, with thy cunning men, and with the cunning men of my lord David thy father. Share Your Faith Products


Late Gothic sculptors, based in Germany during the 15th and early 16th century, produced a burst of exquisite Christian wood-carving in a series of spectacular triptych altarpieces, never since equalled. Noted for the emotion of their expressionist figures, These master carvers included Michael Pacher (1435-98), Veit Stoss (c.1447-1533), Tilman Riemenschneider (c.1460-1531) and Gregor Erhart (c.1460-1540). See: German Gothic Art (c.1200-1450). Share Your Faith Products

The writer of these psalms provides us with hope to empower us to climb out of situations that cause our hearts and minds to become disquieted, discouraged or, as we sometimes say in the vernacular, “down.” These encouraging Bible verses tell us we can safely hope in God! They tell us that we will praise Him in the future for His help, as He personally helps us as if face to face. Christian Canvas Art

Protestantism taught a low-key, personal form of worship that focused on the direct relationship between God and man, without making a fuss about go-betweens like Popes, Bishops and other church employees. It also placed little or no importance on decorative or ceremonial aspects of religion. Because of all this, Protestant art favoured low-key moralistic depictions of ordinary day-to-day life, or simple narrative scenes from the Bible, rather than dramatic theological scenes involving the Passion, Crucifixion and Resurrection of Christ. Other acceptable scenes included depictions of sinners forgiven by Christ, in line with the Protestant view that salvation is only possible through the grace of God. Protestant art also tended to be smaller-scale than Catholic art, reflecting a more modest, personal approach to religion. For the same reason, book illustration and prints became more popular, while Catholic paintings and sculptures became the object of physical iconclastic attacks, as exemplified by the beeldenstorm, an episode of mob destruction which broke out in 1556. But Protestant church authorities were equally aware of the power of art to educate and influence worshippers. As a result they made maximum use of various forms of printmaking, which allowed images to be made widely available to the public at a very low cost. Christian Wall Art
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